Was mixed (“U2 sounded inspired,” said The New York Times. To be.” His trepidation was not unwarranted: Reception to the bold change “We’re actually trying to make a kind of music that doesn’tĮxist yet,” Bono said of U2’s new sound. Little riddle about love … just disguised as trash” – came equipped with aīrittle techno feel and a music video where the band dressed up like the We tried to capture this in songs like ‘Discothèque.'” As the first singleįrom 1997’s Pop, “Discothèque” was the initial volley for theīand’s brief late-Nineties foray into electronic music, perhaps the most “We had a great life, we’re listening to a lot of dance music, staying up all night,” Bono told Rolling Stone. Images of celebrities, many of whom had died young, including Jim Morrison, Ian Want their money back/If you’re alive at 33.” On the PopMart tour, theīand made stark reference to the dark side of fame by projecting Warhol-esque Gave their Nineties dance flavors a woozily anthemic feel. That’s basically throwaway and lighthearted.” The gamble paid off, and itĮnded up a bigger hit than anything off Zooropa, thanks to a track that The Edge said, “I figured it’d be good for us to be involved in something Though Bono originally balked at the idea, Letters spelling “ISSMEKILLM.” It emerged in 1995 as the lead singleįrom the Batman Forever soundtrack – a rare move into blockbuster workįor Bono and the Edge, who had previously done music for artier films by directors Sessions – on the album’s cover, it’s referred to in distorted purple Hooper, “Hold Me, Thrill Me, Kiss Me, Kill Me” dates back to the Zooropa Here, we count down their 50 greatest songs.Ĭo-produced by British trip-hop artist Nellee In the 2000s they went back to a more stripped-back sound with classics like “Beautiful Day” and “Moment of Surrender,” and in 2014 they told the story of their roots with Songs of Innocence. The best of the bunch were collected on their 1980 debut, Boy, and within just three years, politics entered their consciousness, leading to “Sunday Bloody Sunday” and “New Year’s Day.” By the time they cut The Joshua Tree, only seven years into their professional career, they were one of the greatest songwriting collectives of the decade, and once they started to experiment in the Nineties things only got better. It took them a couple of years as a second-rate Dublin cover band to even rise to the level of juvenilia like “Cartoon World” and “Science Fiction Tune.” But as the Seventies folded into the Eighties, something clicked and suddenly amazing bursts of inspiration like “Out of Control” and “I Will Follow” began pouring out of them. U2 weren’t great songwriters when they first came together as high schoolers in 1976.
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